Thanks to the wonders of Facebook, I know the exact day that I came up with an idea for the only jukebox musical I’d ever want to write:
And it’s only taken about six years, but I finally made the dream come true (only with a title change.) And thanks to the overwhelming talent and unmatched kindness of Karl Saint Lucy, Victoria Huston-Elem, Sam Heldt, and Ally Bonino I got to hear HAVISHAM: An Annie Lennox Playlist aloud for the first time this weekend!
The show is a through-sung 90 minutes that is purely Annie Lennox songs, with no dialogue and not a single word changed. It tracks Miss Havisham’s heartbreak and scheming to break Pip’s heart by using Estella, and in the end is a story of cycles of hurt and the power of forgiveness.
I have no idea what the next step could be – short of Annie herself loving the idea and giving me permission to use her catalogue, I don’t know how it works – but I’m very excited to have discovered what feels like a perfect match of songbook to story, and looking forward to seeing where this may lead!
I went into 2019 knowing that it would be busy, but there was no way to know just how intense the year would be! 7 readings of 5 different shows, plus a production, recordings, retreats, concerts across the US, Canada, and the UK… This year included a brush with commercial musical theatre, writing the book of a Danish jukebox musical for a few drafts over a few weeks (plus a whirlwind first trip to London.) I got to return to one of my favorite places in the world for a week writing in Weston, Vermont.
I got to dive back into my collaboration with Karlan Judd while continuing to pushing full steam ahead with my collaborator Julia Meinwald, and I got to work with so many wonderful actors, musicians, directors, stage managers, music directors, and more: