Gordon Leary

159 posts

YIMT 2.0

I’m so excited to head back up to the Yale Institute for Music Theatre in New Haven this June! Six years after our amazing experience with Pregnancy Pact, Julia and I will get to spend two weeks working on REB+VoDKa+ME in their alumni residency alongside workshops of the new musicals Gumbo and Cowboy Bob.

No actors, no rehearsals, no presentations – just us and our writing for two whole weeks! (With intermittent stops at Miya’s Sushi, of course.) I can’t wait to maximize these two weeks and come out on the other end with a full draft of the show.

Thanks to the wonderful Mark Brokaw for including us again this year!

New representation!

I’m so happy to share that I’m now working with Mark Orsini at Bret Adams! So if you’re looking for info on licensing a show of mine, you can find his information on the CONTACT page. (But if you’re looking to talk about dogs or Orphan Black, you should still email me directly.)

Gordon & Julia (‘s songs) take Chicago!

Chicago’s Underscore Theatre featured our songs in their Tiny Storefront Concert Series’ celebration of Galentine’s Day on February 13. We were sad to miss it ourselves, but so happy that there’s video proof!

Enjoy Meghan Shanahan singing the heck out of “Hard For Me Not To Love You” (and then check out the rest of the concert in Underscore’s playlist):

Thanks to Isaac Loomer for bringing our work to Chicago!

Cast and Loose

I’ve known actor/writer/producer/all-around-good-people Lynne Rosenberg since we were undergrads at Vassar, and I’ve always been a fan. I feel really lucky to have finally gotten to work with her on my work recently with The Magnificent Seven, and now I feel even more lucky to have gotten to write a song for her amazing series Cast and Loose Live at Joe’s Pub.

Cast and Loose Live! (an offshoot of her amazing Tumblr of the same name) is “an evening of the worst casting breakdowns the internet has to offer, brought to life by stars of the stage and screen.” This particular evening dealt with issues of the body in casting, and woo boy was it an eye-opener on how far our industry has to go.

As a finale, Lynne asked Julia and I to write a song about the dominance of (and deference to) “cisgender, able-bodied, straight, white men” in the industry – and it just so happens that that term scans as a perfect hook!

You should check out the whole evening below, and you can hear the song about an hour and five minutes into the video.

Follow Cast and Loose on Facebook so you can see the next performance yourself!